Barry HarrisThe method

Tunes he taught

Is You Is or Is You Ain’t My Baby

Barry used Is You Is or Is You Ain’t My Baby as a listening assignment: on a Cootie Williams band record of it, under the vocal, the young Bud Powell can be heard double-timing minor arpeggios, and Barry recalled the thrill of first hearing him there. Barry also recorded the tune with his trio in 1960, where Tom Cleary hears his minor ii-V approach at work.

moments in class
2
recordings
1
Barry plays it
10

What he teaches through it

Barry’s assignment: get the Cootie Williams band record that has ‘Round Midnight, Cherry Red Blues and Is You Is on it. While Cleanhead Vinson sings Is You Is, the pianist underneath is double-timing and running minor arpeggios, and that pianist is Bud Powell. Listen somewhere dark or quiet, he said, and listen to the piano.

The last train to Monk: an interview18:3619:14Barry Harris on WKCR-FM ¶115

He told the story again in The Pace Report interview: you had to go and listen to different players, Terry Pollard and then Cootie Williams, and on those Cootie Williams cuts you hear things you never heard from a piano player before. Cootie, he guessed, must have told the young man to do anything he wanted.

The last train to Monk: an interview18:3619:14

In a 2006 interview with All About Jazz he relived the first time he heard it: out of the background came a pianist playing minor lines, and he had to know who it was. That, he said, is how hearing players gets you going. He thought Cootie Williams must have been a generous leader to let Bud solo right through some of his records.

Andrew Velez, Barry Harris: A Thousand Percent Music Man ¶9Andrew Velez, Barry Harris: A Thousand Percent Music Man ¶10

He used the record to place Bud beside Bird. Bud was with Cootie Williams while Bird was with Jay McShann, each heading his own way towards the same summit; Barry did not think either had influenced the other much, and thought they met and clashed.

Barry Harris on WKCR-FM ¶116

Tom Cleary, who teaches Barry’s approach, hears it in Barry’s own 1960 recording at the Jazz Workshop. On take 2 Barry keeps using a phrase that ends in the ‘seven down to the third’ line over the recurring G minor 7♭5 to C7♭9, placing it differently each time and once double-timing it.

Tom Cleary (University of Vermont), What is this scale called: Charlie Parker ¶10Tom Cleary (University of Vermont), What is this scale called: Charlie Parker ¶13

Cleary’s name for that line comes from Barry’s way with the minor ii-V: instead of a scale for each chord, run one dominant scale that starts a major third below the root of the ii chord, so over G minor 7♭5 to C7 you play E♭7 up and down to the third of C.

Tom Cleary (University of Vermont), What is this scale called: Charlie Parker ¶4Tom Cleary (University of Vermont), What is this scale called: Charlie Parker ¶6

In his own words

while Cleanhead Vinson is singing “Is You Is Or Is You Ain’t My Baby,” you’ll hear this piano player, and all he’s doing is double-timing and running minor arpeggios — the most beautiful stuff in the world.

Barry Harris on WKCR-FM. To Ted Panken, giving him a listening assignment on Bud Powell with Cootie Williams’s band. ¶115

Go somewhere where it’s quiet and listen to those cuts and listen to the piano player ... you hear some stuff man that you never heard before from a piano player.

The last train to Monk: an interview, various, 1987–2019. The Pace Report interview, on the Cootie Williams records with Bud Powell. 18:36 Watch on YouTube at 18:36

I don’t think that Bud was influenced by Bird, and I don’t think that Bird was influenced by Bud. I think that they were heading for a clash

Barry Harris on WKCR-FM. Right after the Cootie Williams assignment, on Bud with Cootie and Bird with Jay McShann. ¶116

Cootie Williams must have been a helluva nice leader because he let him, Bud Powell, solo all the way through some of his records.

Andrew Velez, Barry Harris: A Thousand Percent Music Man. All About Jazz, 2006, recalling how he learned from Bud Powell’s records. ¶9

In class

Every moment he works on it, with the ideas of the method it shows.

The last train to Monk: an interview

various, 1987–2019

  1. 18:36

    Listen for Bud on the Cootie Williams cuts where Cleanhead Vinson sings this tune.

    14.313.4

    Watch on YouTube at 18:36

  2. 19:14

    Somewhere quiet, listen to the piano player: things never heard before from a pianist.

    14.3

    Watch on YouTube at 19:14

Barry plays it

In the method

The ideas of the method these moments show, and how many moments each.

  1. 14.3Learn from the masters by ear; study the small things2
  2. 13.4Monk’s and Bud’s tunes; learning from records1