Barry HarrisThe method

People Barry talks about

Roy Eldridge

trumpet

Swing-era trumpeter; Barry remembers him alongside Coleman Hawkins, both as a guest with Barry’s trio and as a player he could sit in with because he played standards Barry knew.

mentions
4
recordings
4
Barry speaking
1

What Barry says

Barry counts himself lucky to have played with Coleman Hawkins at the Embers: Barry had his trio there, Hawkins was brought in as a guest, and Roy Eldridge came too. He asks Marian McPartland to imagine the luck of it.

Piano Jazz with Marian McPartland23:1023:43

Barry uses Eldridge and Hawkins to show what jam sessions once offered: he could walk in where they were playing and sit in, because they would call standards he knew. Now that most bands play their own original tunes, he says, young players hardly get that chance.

Barry Harris on WKCR-FM ¶454Ted Panken, For Barry Harris’ 82nd Birthday ¶29

When Ted Panken reads a liner note listing Eldridge among the players Barry worked with as house pianist at the Rouge Lounge, Barry says he cannot vouch for those names; the ones he remembers are Lester Young and Flip Phillips.

Barry Harris on WKCR-FM ¶231Barry Harris on WKCR-FM ¶233Barry Harris on WKCR-FM ¶234

In his own words

I was so lucky when I think of getting to play with him [Coleman Hawkins] at the Embers. I had my trio and they brought him in as a guest, him and Roy Eldridge.

Piano Jazz with Marian McPartland, USA (NPR), 2002. Piano Jazz 2002, on why “Body and Soul” makes him think of Hawkins 23:33 Watch on YouTube at 23:33

I could go in when Roy Eldridge and Coleman Hawkins be playing, and I could go on up there and play, because they’re going to play something I know.

Barry Harris on WKCR-FM. WKCR 1999, on why jam sessions have faded ¶454

Every mention

4 moments in the recordings, 1 of them Barry speaking. Each says who is talking.

Piano Jazz with Marian McPartland

USA (NPR), 2002

  1. 23:10

    Barry

    Had Coleman Hawkins as a guest with his trio at the Embers, Roy Eldridge too; calls it luck.

    Watch on YouTube at 23:10

Barry Harris Spanish TV

Madrid, 1988

  1. 15:37

    Someone else

    Spanish TV narrator says that after touring with Max Roach, Barry played in Detroit with Webster and Eldridge.

    Watch on YouTube at 15:37

Interview: tap dance and bebop

various, 1987–2019

  1. 26:08

    Someone else

    Podcast host reads a biography naming Eldridge among players Barry worked with after moving to New York.

    Watch on YouTube at 26:08

Barry Harris Workshop Madrid 2018

Madrid, 2018

  1. 0:00

    Someone else

    A Spanish presenter lists Eldridge among the musicians Barry has played with.

    Watch on YouTube

In the interviews and notes

  • Barry recalls that he was free to join Eldridge and Hawkins on the bandstand, since they would call standards he knew. With everyone now writing originals, young players rarely get that chance, which is why he ran a Wednesday jam session when he had his own place.

    Barry Harris on WKCR-FM ¶454

  • The same memory appears in Panken’s DownBeat feature: Barry could join Eldridge and Hawkins on the bandstand because they played tunes he knew, a chance that original material has taken from young players.

    Ted Panken, For Barry Harris’ 82nd Birthday ¶29

  • Panken reads from a liner note that Barry’s on-the-job training at the Rouge Lounge included Lee Konitz, Lester Young, Eldridge and Ben Webster. Barry asks him to add Flip Phillips and says Young and Phillips are the only ones he remembers.

    Barry Harris on WKCR-FM ¶231Barry Harris on WKCR-FM ¶233Barry Harris on WKCR-FM ¶234

Recordings that name them

Barry’s performances and records in the archive that credit or name them.

Method ideas nearby

Ideas of the method taught in the classes where they come up, with how many mentions fall in each.

  1. 12.2Know the song; learn many songs; find your key1
  2. 15.4The lineage1