Barry HarrisThe method

People Barry talks about

Flip Phillips

tenor saxophone

Tenor saxophonist known from Jazz at the Philharmonic; Barry accompanied him for a week as house pianist at the Rouge Lounge, just outside Detroit, in the 1950s.

mentions
4
recordings
3
Barry speaking
4

What Barry says

Barry worked a week with Flip Phillips at the Rouge Lounge in River Rouge, a little outside Detroit, where he was house pianist and also played a week with Lester Young. Of all the visiting names from that time, Young and Phillips are the ones he is sure of.

Interview: Bird, Hawkins, Monk and New York8:23Piano Jazz with Marian McPartland6:42Barry Harris on WKCR-FM ¶68Barry Harris on WKCR-FM ¶70Barry Harris on WKCR-FM ¶234

Because of his Jazz at the Philharmonic image, Barry says, you might take Phillips for a honking tenor player, but a week with him showed how well he could really play.

Interview: Bird, Hawkins, Monk and New York8:238:57

Straight after praising Phillips, Barry says those players had a golden era of music, a time with a surprising number of good musicians, and moves on to Coleman Hawkins.

Interview: Bird, Hawkins, Monk and New York8:57

In a documentary he lists Phillips with Prez and Nancy Wilson among the visiting stars he accompanied in Detroit for a week at a time.

The Spirit of Bebop25:11

In his own words

One would think of Flip Phillips as being maybe the honking tenor player. He was the one that would honk or do something like that. But you know, I worked with Flip Phillips for a week. He could play so good, man.

Interview: Bird, Hawkins, Monk and New York, various, 1987–2019. NPR interview with Ben Sidran, 1988 8:23 Watch on YouTube at 8:23

Put Flip Phillips in there. I don’t know about all those names you called. I know about Lester Young and Flip Phillips. That’s what I remember.

Barry Harris on WKCR-FM. WKCR 1999, correcting a liner note’s list of players ¶234

I guess it was in River Rouge, which was a little bit out. I played there with Flip Phillips, I played with Lester

Barry Harris on WKCR-FM. WKCR 1999, describing the Rouge Lounge ¶70

I accompanied Flip Phillips, I accompanied Nancy Wilson for a week. You know, people like that.

The Spirit of Bebop, USA, 1999. Spirit of Bebop documentary, on visiting players in Detroit 25:11 Watch on YouTube at 25:11

Every mention

4 moments in the recordings, 4 of them Barry speaking. Each says who is talking.

Interview: Bird, Hawkins, Monk and New York

various, 1987–2019

  1. 8:57

    Barry

    Worked a week with Phillips, who could play so well; part of a golden era of musicians.

    Watch on YouTube at 8:57

  2. 8:23

    Barry

    His Jazz at the Philharmonic image suggests a honking tenor, but Barry worked with him.

    Watch on YouTube at 8:23

Piano Jazz with Marian McPartland

USA (NPR), 2002

  1. 6:42

    Barry

    Tells Marian McPartland he played a week with Flip Phillips at the Rouge Lounge.

    Watch on YouTube at 6:42

The Spirit of Bebop

USA, 1999

  1. 25:11

    Barry

    Lists Phillips with Prez and Nancy Wilson among visiting players he accompanied in Detroit.

    Watch on YouTube at 25:11

In the interviews and notes

  • Barry describes the Rouge Lounge as just a jazz club in River Rouge, a little outside Detroit, where he played with Flip Phillips, with Lester Young and with more people than he can now name.

    Barry Harris on WKCR-FM ¶70

  • When Panken reads a liner note naming Konitz, Young, Eldridge and Webster as Barry’s on-the-job training, Barry asks him to add Phillips: Young and Phillips are the players he actually remembers.

    Barry Harris on WKCR-FM ¶233Barry Harris on WKCR-FM ¶234

  • Panken writes that, apart from a few months touring with Max Roach, Barry spent the rest of the 1950s in Detroit, playing week-long engagements at local clubs behind visiting soloists such as Lester Young, Phillips and Nancy Wilson.

    Ted Panken, For Barry Harris’ 82nd Birthday ¶14

Method ideas nearby

Ideas of the method taught in the classes where they come up, with how many mentions fall in each.

  1. 15.4The lineage4
  2. 11.5Touch2
  3. 6.9Triplets in lines (eighth- and sixteenth-note)2
  4. 11.4Play from the body and the arm, not the fingers1
  5. 12.2Know the song; learn many songs; find your key1
  6. 14.3Learn from the masters by ear; study the small things1